Letters To God

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  • Tuning - C#G#C#F#A#D# (Drop your low E string to D, and then tune down half a step)
     
    F#----------------------------
  • C#----------------------------
    G#----------5h6--6---6-6-6----
    C#----5-5-x-------------------
  •  
    F#-----------------------------------
    C#-----------------------------------
  • G#---------5h6--8--6-5h6-5h6-3h5-----
    C#----5-5-x--------------------------
    (I think the last part is close. Hector plays it to fast...)
  •  
    The guitar sounds a lot more difficult than it is at this part, mainly because you don't hear blue-sy sounding stuff in rock anymore, which sucks if ya ask me. You can re-arrange it to make it look a little more difficult (Moving to different strings and such) but this is the easiest way to do it.
     
  • The guitar enters with feedback by playing an open F near the cabs, then this part comes in when Max starts singing.
     
    F#---0h7h8p7p0---7h8-7--x-x-x-x
  • C#----------------------x-x-x-x
    G#----------------------x-x-x-x
     
  •  
    F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
    C#--------------------------------x-x-x-x
  • G#--------------------------------x-x-x-x
     
    F#---0h7h8p7p0---7h8--0h7h8-7--x-x-x-x
  • C#-----------------------------x-x-x-x
    G#-----------------------------x-x-x-x
     
  • F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
    C#--------------------------------x-x-x-x
    G#--------------------------------x-x-x-x
  •  
    (B= bend, R= retract, incase I got the tab symbols messed up)
     
  • Chorus
     
    F#----7--8--7--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
  •  
    F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
  • G#----5--3--6-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
     
  • F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    *F#----7--5--8--------------------
  • *C#----x--x--x-------1-xx-1-x-xx-1
    *G#----5--3--6-------1-xx-1-x-xx-1
    *C#------------------1-xx-1-x-xx-1
  •  
    *Note: Album version differs for the last slide. Play this:
     
  • F#----7--5\12--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3\10-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    After the chorus, do this again:
  • F#---0h7h8p7p0---7h8-7--x-x-x-x
    C#----------------------x-x-x-x
    G#----------------------x-x-x-x
  •  
     
    F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
  • C#--------------------------------x-x-x-x
    G#--------------------------------x-x-x-x
     
  • F#---0h7h8p7p0---7h8--0h7h8-7--x-x-x-x
    C#-----------------------------x-x-x-x
    G#-----------------------------x-x-x-x
  •  
    F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
    C#--------------------------------x-x-x-x
  • G#--------------------------------x-x-x-x
     
    Chorus 2
  •  
    F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
  • G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
     
  • F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3--6-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    F#----7--8--7--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
  •  
    F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1--0
  • G#----5--3--6-------1-xx-1-x-xx-1--0
    C#------------------1-xx-1-x-xx-1--0
     
  • Album Version:
     
    F#----7--5\12--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1--0
    G#----5--3\10-------1-xx-1-x-xx-1--0
    C#------------------1-xx-1-x-xx-1--0
  •  
    Bridge
    It sounds like when the drum is hit 4 times, this is played:
  •  
    C#--x-x-x-x
    G#--x-x-x-x
  • C#--x-x-x-x
     
    After that, this starts:
  • Palm mute this and let up on the mute as you go
     
    C#-----------------------------------
  • G#---3h4--3h4--3h4--3h4--5p4p3--5p4p3
    C#-----------------------------------
     
  • Do this a couple times. The bass should join you around the 4th time.
     
    C#---10h11--10h11--10h11--10h11--12p11p10
  • G#---10h11--10h11--10h11--10h11--12p11p10
    C#---10h11--10h11--10h11--10h11--12p11p10
     
  •  
    After the "Pissed off" part, go back to the chorus
     
  • F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    F#----7--5--8--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3--6-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
  •  
    F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
  • G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
     
  • F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3--6-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
    (this is played 8 times instead of the usual 4)
    The studio version changes up the palm muting a bit. Listen to it to get ir right.
  •  
    And then the bridge:
    C#---10h11--10h11--10h11--10h11--12p11p10
  • G#---10h11--10h11--10h11--10h11--12p11p10
    C#---10h11--10h11--10h11--10h11--12p11p10
    (4 times I believe)
  •  
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Tablatures guitarede 40 BELOW SUMMER Letters To God Skitarrate pour jouer votre musique, l'ètude des 'èchelles, des positions pour guitare, la recherche, la gestion, la demande et envoyer accords, paroles et partitions

Letters To God
40 BELOW SUMMER
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