Strange Gods And Suspicious Angels

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  • Tuning: E A D G
     
    Gtr I (E A D G) - 'Bass'
  •  
    Q=160
    8/4
  • Gtr I
    W W
    |------------------|------|
  • |------------------|------|
    |------------------|------|
    |------------------|------|
  •  
     
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
     
     
  • Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-------------------------|-------------------------|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
     
  •  
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------|
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
  •  
     
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
     
     
  • Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-------------------------|-------------------------|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
     
  •  
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------|
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
  •  
     
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-0--0--0--0--0--0--0--0--|-0--0--0-----------------|
     
     
  • E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
    |---------------------------------|---------------------------------|
    |---------------------------------|---------------------------------|
  • |-----------1-0---1-0---1-0-------|-----------1-0---1-0---1-0-------|
    |-0-0-0-0-------------------0-0-0-|-0-0-0-0-------------------0-0-0-|
     
  •  
    E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
    |---------------------------------|---------------------------------|
  • |---------------------------------|---------------------------------|
    |-----------1-0---1-0---1-0-------|-----------1-0---1-0---1-0-------|
    |-0-0-0-0-------------------0-0-0-|-0-0-0-0-------------------0-0-0-|
  •  
     
    E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
  • |---------------------------------|---------------------------------|
    |---------------------------------|---------------------------------|
    |-----------1-0---1-0---1-0-------|-----------1-0---1-0---1-0-------|
  • |-0-0-0-0-------------------0-0-0-|-0-0-0-0-------------------0-0-0-|
     
     
  • E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E Q
    |---------------------------------|--------------------------------|
    |---------------------------------|--------------------------------|
  • |-----------1-0---1-0---1-0-------|-----------1-0---1-0---1-0------|
    |-0-0-0-0-------------------0-0-0-|-0-0-0-0------------------------|
     
  •  
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------|
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
  •  
     
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
  • |-------------------------|-------------------------|
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
     
     
  • Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------|
    |-------------------------|-------------------------|
  • |-------------------------|-------------------------|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
     
  •  
    Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
    |-------------------------|-------------------------*|
  • |-------------------------|-------------------------*|
    |-------------------------|-------------------------*|
    |-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--*|
  •  
    Duration Legend
     
  • W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
    + - note tied to previous; . - note dotted; .. - note double dotted
    Uncapitalized letters represent notes that are staccato (1/2 duration)
  • Irregular groupings are notated above the duration line
    Duration letters will always appear directly above the note/fret number it represents the
    duration for. Duration letters with no fret number below them represent rests. Multi-
  • bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
    melody durations appear below the staff
     
  • Tablature Legend
     
    h - hammer-on
  • p - pull-off
    b - bend
    pb - pre-bend
  • r - bend release (if no number after the r, then release immediately)
    /\ - slide into or out of (from/to "nowhere")
    s - legato slide
  • S - shift slide
    - natural harmonic
    [n] - artificial harmonic
  • n(n) - tapped harmonic
    ~ - vibrato
    tr - trill
  • T - tap
    TP - trem. picking
    PM - palm muting
  • \n/ - tremolo bar dip; n = amount to dip
    \n - tremolo bar down
    n/ - tremolo bar up
  • /n\ - tremolo bar inverted dip
    = - hold bend; also acts as connecting device for hammers/pulls
    <> - volume swell (louder/softer)
  • x - on rhythm slash represents muted slash
    o - on rhythm slash represents single note slash
     
  • Misc Legend
     
    | - bar
  • || - double bar
    ||o - repeat start
    o|| - repeat end
  • *| - double bar (ending)
    : - bar (freetime)
    $ - Segno
  • & - Coda
    Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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Strange Gods And Suspicious Angels
FRIEDMAN MARTY
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