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The beginning is played with an E and a form of F# with the top two(b and high e) strings open. Hammer on to the high e right before the changes. I'll refer to the weird form of F# by F#
E F# E
You didn't have to give your necklace, to me before you left
F# E
now i lay awake and think, how very smart you were
F#
Thought about you every day..
D E D
I hear the rain coming in from miles away
E D
air is as clean as your skin is to my face
E
thought about you every day...
G A
100 ways
G A
i thought about you and me 100 ways
G A
100 ways
E F# E F#
E F# E
Now i lay awake and dream,you're right above my face
F# E
look in to my eyes the way you do, don't look away
F#
thought about you every day
D E D
Birds build their homes, right above my head
E D
They make the same, kind of sounds you do
E
When we're laying in my bed...
G A
100 ways
G A
i thought about you and me 100 ways
G A
100 ways
E F# E F#
Here the break goes to a different tempo with more strange chord formations.
Again the E is normal, but on the B and A in this section play a major bar chord rooted on the low e, with the top two strings open.
B A E
Na-----na-na-na-na-na-na-naaaa
A B
Na-na-na--na-na-naaa
Repeat this a couple of times with improv on the vocals then:
E F# E F#
(For this verse, strum chord once and let ring)
E F#
And if i had my way, when i woke up
E F#
in the morning, i would read and write
E F#
before i ever drew the shade,, i would kiss you
E F#
before you opened up your eyes
(Back to regular strumming)
D E D
Birds build their homes, right above my head
E D
They make the same, kind of sounds you do
E
When we're laying in my bed...
G A
100 ways
G A
i thought about you and me 100 ways
G A E(Let Ring)
100 ways
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